| Lillian Gish | |
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Lillian Gish, 1921 |
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| Born | Lillian Diana Gish October 14, 1893 Springfield, Ohio, U.S. |
| Died | February 27, 1993 (aged 99) New York, New York, U.S. |
| Occupation | Actress |
| Years active | 1912–1987 |
| Website | |
| http://www.lilliangish.com/index.php | |
Lillian Diana Gish (October 14, 1893 – February 27, 1993[1]) was an American stage, screen and television actress whose film acting career spanned 75 years, from 1912 to 1987.
She was a prominent film star of the 1910s and 1920s, particularly associated with the films of director D.W. Griffith, including her leading role in Griffith's seminal Birth of a Nation (1915). Her sound-era film appearances were sporadic, but included memorable roles in the controversial western Duel in the Sun (1946) and the offbeat thriller Night of the Hunter (1955). She did considerable television work from the early 1950s into the 1980s, and closed her career playing, for the first time, opposite Bette Davis in the 1987 film The Whales of August.
The American Film Institute (AFI) named Gish 17th among the greatest female stars of all time.[2] She was awarded an Honorary Academy Award in 1971, and in 1984 she received an AFI Life Achievement Award.[3]
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Lillian Diana Gish was born in 1893 in Springfield, Ohio. She was the daughter of Mary Robinson McConnell (an Episcopalian) and James Leigh Gish (who was of German Lutheran descent).[4] Gish's father left the family before she was old enough to remember him; her mother then took up acting to support the family. She had a younger sister, Dorothy. When Lillian and Dorothy were old enough, they joined the theatre, often traveling separately in different productions. They also took modeling jobs.
The first several generations of Gishes were Dunkard ministers. Her great-great-great grandfather came to America on the ship Pennsylvania Merchant in 1733 and received a land grant from William Penn. Her great-great grandfather was in the American Revolutionary War and is buried in a cemetery in Pennsylvania for such soldiers, a bit of an oddity because Dunkards are supposed to be more pacifist than Amish or Quakers. Letters between her and a Pennsylvania college professor indicate that her knowledge of her family background was limited.
In 1912, their friend Mary Pickford introduced the sisters to D. W. Griffith, and helped get them contracts with Biograph Studios. Lillian Gish would soon become one of America's best-loved actresses. Although she was already nineteen, she gave her age as 16 to the studio.[5]
The sisters debuted in Griffith's short film An Unseen Enemy (1912). Lillian went on to star in many of Griffith's most acclaimed films, including The Birth of a Nation (1915), Intolerance (1916), Broken Blossoms (1919), Way Down East (1920) and Orphans of the Storm (1921). One of the enduring images of Gish's silent film years is the climax of the melodramatic Way Down East, in which Gish's character floats unconscious on an ice floe towards a raging waterfall, her long hair trailing in the water.
Having appeared in over 25 short films and features in her first two years as a movie actress, Lillian became a major star, becoming known as "The First Lady of the Silent Screen" and appearing in lavish productions, frequently of literary works such as The Scarlet Letter. MGM released her from her contract in 1928 after the failure of The Wind (1928), now recognized by many as among her finest performances and one of the most distinguished works of the late silent period.
She directed one film, Remodeling Her Husband (1920), when D. W. Griffith took his unit on location—he told Gish that he thought the crew would work harder for a girl. Gish never directed again, telling reporters at the time that directing was a man's job.[6]
With her debut in talkies only moderately successful, she acted on the stage for the most part in the 1930s and early 1940s, appearing in roles as varied as Ophelia in Guthrie McClintic's landmark 1936 production of Hamlet (with John Gielgud and Judith Anderson) and Marguerite in a limited run of La Dame aux Camélias. Of the former, she said, with pride, "I played a lewd Ophelia!".
Returning to movies, Gish was nominated for the Academy Award for Best Supporting Actress in 1946 for Duel in the Sun. The scenes of her character's illness and death late in that film seemed intended to evoke the memory of some of her silent film performances. She appeared in films from time to time for the rest of her life, notably in Night of the Hunter (1955) as a rural guardian angel protecting her charges from a murderous preacher played by Robert Mitchum. She was considered for various roles in Gone with the Wind ranging from Ellen O'Hara, Scarlett's mother, which went to Barbara O'Neil,[7] to prostitute Belle Watling, which went to Ona Munson.
Gish made numerous television appearances from the early 1950s into the late 1980s. Her most acclaimed television work was starring in the original production of The Trip to Bountiful in 1953. She appeared as Dowager Empress Maria Feodorovna in the short-lived 1965 Broadway musical Anya. In addition to her later acting appearances, Gish became one of the leading advocates on the lost art of the silent film, often giving speeches and touring to screenings of classic works. In 1975, she hosted The Silent Years, a PBS film program of silent films.
Gish received a Special Academy Award in 1971 "For superlative artistry and for distinguished contribution to the progress of motion pictures." In 1979, she was awarded the Women in film Crystal Award in Los Angeles[8] In 1984, she received an American Film Institute Lifetime Achievement Award, becoming only the second female recipient (preceded by Bette Davis in 1977), and the only recipient who was a major figure in the silent era. She has a star on the Hollywood Walk of Fame at 1720 Vine Street.
Her last film role was in The Whales of August in 1987 at the age of 93, with Vincent Price, Bette Davis and Ann Sothern, in which she and Davis starred as elderly sisters in Maine. Her final professional appearance was a cameo on the 1988 studio recording of Jerome Kern's Show Boat, starring Frederica von Stade and Jerry Hadley, in which she affectingly spoke the few lines of The Old Lady on the Levee in the final scene. The last words of her long career were, "Good night, dear."
Some in the entertainment industry were angry that Gish did not receive an Oscar nomination for her role in The Whales of August. Gish herself was more complacent, remarking that it saved her the trouble of "losing to Cher" (who did, in fact, win for her performance in Moonstruck).
Gish never married or had children. The association between Gish and D. W. Griffith was so close that some suspected a romantic connection, an issue never acknowledged by Gish, although several of their associates were certain they were at least briefly involved. For the remainder of her life, she always referred to him as "Mr. Griffith."
She was involved with producer Charles Duell and drama critic and editor George Jean Nathan. In the 1920s, Gish's association with Duell was something of a tabloid scandal because he had sued her and made the details of their relationship public.[9]
During the period of political turmoil in the United States that lasted from the outbreak of World War II in Europe until the attack on Pearl Harbor, she maintained an outspoken non-interventionist stance. She was an active member of the America First Committee, an anti-intervention organization founded by retired General Robert E. Wood with aviation pioneer Charles Lindbergh as its leading spokesman. She said she was blacklisted by the film and theater industries until she signed a contract in which she promised to cease her anti-interventionist activities and never disclose the fact that she had agreed to do so.[10]
She maintained a very close relationship with her sister Dorothy, as well as with Mary Pickford, for her entire life. Another of her closest friends was actress Helen Hayes; Gish was the godmother of Hayes' son James MacArthur.
She died in her sleep of natural causes on February 27, 1993, aged 99 and is interred beside her sister Dorothy at Saint Bartholomew's Episcopal Church in New York City. Her estate, which she left to Hayes (who died a month later) was valued at several million dollars, and went to provide prizes for artistic excellence.
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